
Fire, metal, hammer, anvil - the tools and principles have barely changed in a thousand years.
Fire, metal, hammer, anvil - the tools and principles have barely changed in a thousand years, yet the work ranges from the sublime wrought iron screens of our greatest cathedrals to the functional gate hinges of a listed farmhouse. Heritage blacksmiths and metalwork specialists repair and recreate the ironwork that holds historic buildings together - structurally and aesthetically. Cramps, ties, window armatures, decorative screens, hinges, locks and architectural ironwork of every kind all fall within this craft's scope.
Apprentice: £18,000–£22,000 | Qualified conservation smith: £28,000–£40,000 | Artist blacksmiths / specialist commissions: higher
Practitioner interviews are in production. At least one practitioner featured in each craft will be a woman working in that trade. If you know someone still practising this craft, or would like to be featured, get in touch.
office@craftgate.orgForge basics - lighting and managing a forge, using hand tools, making simple forms
Forge safety, hammer technique, metal properties, BTEC L2 Blacksmithing
Producing bespoke ironwork - gates, railings, furniture, architectural details
Hot forging, welding and cutting, design interpretation, finishing
Large-scale architectural and sculptural commissions
Design skills, scale drawing, client liaison, high standard finishing
Conserving and replicating historic ironwork - window armatures, structural cramps, screens
NVQ L3 Heritage Skills Heritage Metalwork, metal pathology, conservation ethics
Complex metalwork contracts on cathedrals, country houses, scheduled monuments
Advanced conservation, condition reporting, heritage liaison
Running a forge, taking commissions, training apprentices
Full craft mastery, business management, training delivery
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View Blacksmithing & Heritage Metalwork placements← All craftsStart the Blacksmithing & Heritage Metalwork Foundation Pathway - 6 modules covering conservation philosophy to career qualifications.
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